Landscapes

A selection of personal environment design and paintings…

DIS \ CONNECT

Some of the most powerful and emotional moments in cinema have also been the most tense, the most thrilling. This film aims to capture that moment of 'frisson' - a sudden strong feeling of excitement or fear; a thrill.

‘DIS \ CONNECT’ was my graduation film from the Illustration & Animation course at Kingston University. All models and sets were hand-made from wood & card, hundreds of individual pieces were designed, cut, sanded, glued and painted. Rather than stop-motion, the film was shot live-action with strings and rods controlling the puppets and everything was captured in-camera.

Creative agency:
Google Creative Lab London

Creatives (alphabetical):
Graeme Hall, Hana Tanimura, Jayme Goldstein, João Wilbert, Justin Li, Steve Vranakis, Zebedee Pedersen

Design and art direction:
Hana Tanimura

Design support (alphabetical):
Mary Leonard, Sofia Clausse

Film and animation (alphabetical):
Across the Pond, Doug Hindson, Justin Li, Max McCabe, Nearly Normal, Th1ng

Producers (alphabetical):
Alex de Castro, Lou Trethewey, Natalie Goburdhun

Website build:
Potato, Sam Honigstein

Photography:
Robert Couto

Project partners (alphabetical):
 IDEO, Paulo Blikstein (Stanford), 

Netflix - ‘Carmen Sandiego’

Role: Environment Design
Client: Netflix
Studio: Chromosphere L.A.

Background designs for the Netflix series 'Carmen Sandiego'

I worked on a number of the environments for the second series of ‘Carmen San Diego’, produced by Chromosphere L.A. 

Art directed by Sylvia Liu & Eastwood Wong.

DIS \ CONNECT

Some of the most powerful and emotional moments in cinema have also been the most tense, the most thrilling. This film aims to capture that moment of 'frisson' - a sudden strong feeling of excitement or fear; a thrill.

"This quiet, unassuming short with a truly excellent and funny script is tearjerkingly perfect."

It's Nice That

‘DIS \ CONNECT’ was my graduation film from the Illustration & Animation course at Kingston University. All models and sets were hand-made from wood & card, hundreds of individual pieces were designed, cut, sanded, glued and painted. Rather than stop-motion, the film was shot live-action with strings and rods controlling the puppets and everything was captured in-camera.

Additional credits:

Voiceover - Tom Hillenbrand

Sound Design - James Green

Additional Model Making - Pedro Foppa

Additional Puppetry - Thea Glad, Matt King, Gus Scott, Sam Stobart, Imogen Woolley

Skew

"The iPhone concept that will make you fall in love with skeuomorphism."

The Verge

'Skew' turns the idea of skeuomorphism on it's head: we re-made some well known skeuomorphic interface designs in the materials and objects they were trying to imitate; as well as subtly commenting on the mundane cycle of the digital day-to-day.

Made in one week by Doug Hindson, Carrie Bale and Jooyoung Ryu

Frisson

Some of the most powerful and emotional moments in cinema have also been the most tense, the most thrilling. This film aims to capture that moment of 'frisson' - a sudden strong feeling of excitement or fear; a thrill.